The ‘Ota Ika and Memories of My Grandfather and Tonga

Sela Atiola stands to the left of her kitchen bench with her daughters in the centre and her mother to the far right. They make 'ota ika together with smiles on their faces. Photograph: Sherry Zheng.

This story was published in Colournary Issue Two: Water. To read more stories like this, order your copy of our print magazine here.

Words by Sela Atiola.

It’s a balmy mid-morning in Seven Hills, unusual weather for my region of Sydney where the subtle bites of frigid air are usually expected during the hiemal period of July. In desperation for freedom, my two-year-old is engaged in a frantic one-way battle with the red straps of the Woollies trolley hugged around her waist, securing her safely to the built-in child seat. Her eyes fixated on an empty play centre a few metres away from where we stand, while mine examine the display of seafood that lies bare on a bed of ice in The Brothers Fish Market at Seven Hills Plaza. 

“Prawns are fresh, sister! You try some?” asks the gentleman behind the counter. His eyes are the colour of Elkhorn coral and his charcoal hair is tipped with silver. The pronounced wrinkles across his forehead inform me that he can name every species existing in the bountiful waters off Australia’s coast. I wish I could ask him: “Do you know which fish I need to make ‘ota ika?” Instead, I respond: “Oh, I’m just looking”. 

Unable to recall the type of fish that tastes best in this simple Tongan specialty and too embarrassed to ask my mum after she told me three times the previous day, I text my Tongan born-and-raised husband: “Hey, I got everything for the ‘ota except the ika.”. I scolded myself internally: “The most important ingredient of the dish!” I pushed my trolley with my toddler away from the seafood. I continued texting: “There are too many to choose from. Can you grab it after work and I’ll take it to Auburn so Mum can make it tonight?” 

Hands chop spring onion on a chopping board on the kitchen bench while a white bowl holds chunks of fresh fish and another clear bowl contains diced cucumber and tomato. Photograph: Sherry Zheng.

Growing up, I spent a lot of time in the kitchen, but it was never to help my mother cook. I was purely in there to devour the fruits of her labour – a sapid feast of Tonga’s finest cuisine. This meant that I missed endless opportunities to learn the ingredients and observe the methods behind our cultural foods like ‘ota ika – a soul food, similar to the ceviche of Latin America, with many flavourful variations across Oceania. In the Kingdom of Tonga and here in Australia, ‘ota ika often sits among a spread of delectable me’akai (food) in the buffet of every Tongan celebration and is a staple of Sunday lunch. 

A clear bowl of creamy ‘ota ika. Photograph: Sherry Zheng.

Fresh white fish fillet is cleaned then cut into bite-size pieces and briefly marinated in fresh lemon juice. It’s then combined with an array of finely diced vegetables that include spring onion, cucumber, tomato and capsicum. Finally, coconut milk is poured over the vibrant fusion of ingredients and gently mixed then chilled until it is ready to serve. The recipe varies for Tongan families in the diaspora, according to their taste preferences and what is available in their supermarkets. Sometimes, Kara coconut milk or canned coconut cream are used as substitutes for homemade coconut milk. My mother always used unsweetened thickened cream diluted in a bit of water. She says the cream helps uphold the flavour of each ingredient. 

“I didn’t always appreciate and enjoy ‘ota ika as a child. The thought of raw fish chunks immersed in a cloudy, soupy pool did not charm my fledgling palate the way a Big Mac meal did.”

I didn’t always appreciate and enjoy ‘ota ika as a child. The thought of raw fish chunks immersed in a cloudy, soupy pool did not charm my fledgling palate the way a Big Mac meal did. It wasn’t until I reached my early 20s that I was able to enjoy the riot of flavours the ‘ota ika offered and only recently was I able to form a unique relationship with it that was reminiscent of my late grandfather and motherland. Grandfather Mahe passed away before I could meet him and over the years my father would share stories about him. “You know Mahe Lahi spent hours out at sea, fishing so we could eat,” Dad would explain. “We didn’t have much, but he always made sure he came home with fish or seafood to eat. Whatever he had, he shared with his sister and their families too.” 

Like Grandfather Mahe, many families in Tonga relied on a healthy ocean to feed their families. Tonga is viewed as a unified composition of hundreds of islands connected by an ocean filled with marine life that form the basic part of our diets and are a vital source of nourishment. 

In 2015, Tonga was classified as the second most at-risk country in the world in terms of its exposure to natural disasters and the ripple effect of climate change (World Risk Report, 2015). This means Tonga’s coastal waters and the marine life that inhabit it are being destroyed and traditional practices such as fishing and gathering seafood are being impacted greatly. Over the years, Tonga’s surface air temperature and sea temperature around its coastal waters have increased and ocean acidification have resulted in the slow deterioration of coral reefs, reduction in reef productivity and diversity in reef species (Tonga’s Fisheries Sector Plan 2016-2024; JNAP 2). 

“Despite the threat of climate change, Tongans continue to care for the ocean and depend on its marine life for food and nourishment.”

Sela Atiola laughs in conversation with her mother, a bowl of ‘ota ika in her hands. Photograph: Sherry Zheng.

Despite the threat of climate change, Tongans continue to care for the ocean and depend on its marine life for food and nourishment. Traditionally, people would catch, clean, then bone their own fish for ‘ota ika. They would then grate the copra, or white meat inside the coconut, using a hakalo, a traditional coconut grater made from a long piece of metal curved into a blade attached to the edge of a wide wooden stool. The coconut meat was rolled up in coconut husk and then squeezed so that all the milk was extracted from the copra to marinate the ‘ota ika. 

‘Ota ika now evokes memories of the stories my father shared about Grandfather Mahe throughout my childhood and our motherland. In Australia, ‘ota ika is a connection to the ocean that provided my family and ancestors with years of nourishment. It is also what keeps me bonded to my culture and history. 

When my husband returned home with a snapper from The Brothers Fish Market, I drove to my parent’s home in Auburn. Instead of watching Mum glide gracefully across her kitchen like I normally would, I wrapped an apron around my waist, armed myself with a sharp blade and began slicing the fish while Mum guided me through the steps. Now, when I make ‘ota ika for Sunday lunch, my four-year-old stands with me at the kitchen bench and hands me the ingredients while we talanoa (tell) stories of our family and our home.

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